Live on Rare Frequency
Above Within Below @ Jane Deering Gallery
Green Dream @ Kijidome
Shaping Sound @ Woods Hole Oceanographic Institute
Live @ Cafe Fixe
Illuminus w/ Kevin Clancy
de concertzender.nl - channels of listening: radiophonics and more...
framework radio - phonography :field recording : the art of sound-hunting
radius - experimental radio broadcast platform located in chicago
soundfjord - a nomadic space dedicated to art that is curious of ear
vital weekly - experimental music reviews from Frans de Waard
society for electro-acoustic music in the united states
substrat radio with Martin Howse
micro_research - Martin Howse exploring psychogeophysics
ernst karel - electroacoustic music and experimental nonfiction sound works
rare frequency - radio show devoted to unusual musics with Susanna Bolle.
phonography.org - dedicated to the art of field recordings
audiomulch -software- performance and sound design by Ross Bencina.
lines - a place for discussion about sound, process, and technology.
In Cell Survival is hardly 'autopilot' music - it's not an excerpt of an ever lasting, always changing algorithm, but composed by a human, for the time needed. Styllistically McNulty stays close to his older musical principles, that of the highly atmospheric music. In 'Quartermass' this is quite deep, going back to his earliest work, but in 'Brisance' and 'Backscatter' it all seems a bit more reduced, and especially 'Backscatter' reminded me of the current music of Asmus Tietchens, especially if drones et all are reduced further more and high end bleeps and ticks remain. Excellent stuff, with a fine, dramatic build up, come down and moving along barren ice fields and hot deserts. Ambient industrial music in that 'Quartermass', like standing close to a steel factory - but not inside the actual factory itself. Great, evocative music. (Frans de Waard, Vital Weekly)